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Tell Congress to Protect the Freedom of Information Act PDF
Written by TFP   

The US House of Representatives is preparing to vote on funding for the wars in Iraq and Afghanistan, but it's not too late to do something about it.

The political reality is that the wars will get funded - one way or another - by July 1.

But with pressure, we can convince the House not to include a sickening provision, inserted by Joe Lieberman, that would exempt any "photograph that was taken between September 11, 2001 and January 22, 2009 relating to the treatment of individuals engaged, captured, or detained after September 11, 2001, by the Armed Forces of the United States in operations outside of the United States" from the Freedom of Information Act.

That's the whole scope of the provision. It's obviously intended to make certain unreleased torture photos unavailable to the public.  What's the point of having open government laws if we allow Congress to change them whenever they become inconvenient?

And while Democrats are looking to continue funding the war, the funding bill cannot pass without the support of 18 "progressive" Democrats, who have said they will not support the bill with the torture-photo exemption included. House leadership is trying to persuade them to allow support poking holes in the FOIA. Contact them now, and tell them not to back down.

At the same time, the Democrats need to convince 33 Blue Dogs to get over their objections to funding the IMF so they support the bill. Siezing on their objections can also help convince leadership to strike the torture photo protection provision. As Rep. Barney Frank explained, "You can have the war and the IMF, or the war and the pictures." Please contact these Representatives and tell them to oppose war funding and to keep the Freedom of Information Act intact.

 
Radical Prom Photobooth PDF
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Written by TFP   

In April, The Fine Print teamed up with the Civic Media Center to host Radical Prom, a night of dancing and socializing with the progressive Gainesville community. DJ Ernie Hotsauce kept the music going while Fine Print photographer Matt Walsh took free prom photos of everyone, which are posted below. Scroll down to find your photo or just browse through some of the real jewels. Either way, thanks to all those who made it out and thanks to all those who support us through thick and thin.

These photos need captions! E-mail caption suggestions to This e-mail address is being protected from spambots. You need JavaScript enabled to view it .

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Nothing Good about the Ole Boys' Club PDF
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Written by Matthew Clark   

It was almost a year ago in the summer when Dr. Ann Wehmeyer, chair for the Department of African and Asian Languages and Literatures, got a phone call. It was UF Provost Joe Glover. Cuts would be made to her program to meet the College of Liberal Arts and Science’s 6 percent budget reduction. Faculty members would be laid off. There was no room for negotiation.

There are no official numbers regarding the start of the proposed cuts. Initially, about 28 lecturers were to be cut. Then it looked like 15 would be let go. But the number was whittled down as departments scrounged up money to save their educators. In the end, seven would receive notices. Six were women; all were foreign-born.

At the time of the phone call, Andrea Pham, a Vietnamese professor, wasn’t anywhere near the maze of hallways that make up her department on the third floor of Pugh Hall.

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Death of a Columnist PDF
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Written by Matthew Clark   

I initially began writing columns my junior year of high school. I was a faux self-help columnist with a penchant for mocking angst-be-gone woes. By the time my career ended my senior year, with the autobiographical A Matt’s Something You Walk On, I did a thank-you to all of the people who had gotten me through high school and taught me about life.

Becoming a part of The Fine Print family has been the most rewarding part of my college experience. But the best part of a column is its voice, and the best part of The Fine Print is the diversity of voices. So without further ado, adieu. I end with an ode to my college experience and the 20-nothing:

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I Know Who I Want to Take Me Home PDF
Written by Rae Martin   

When I first met Grace, I was surprised by her beauty and vibrancy. For an old gal who had been living in a shelter for more than five years, her giant brown and black fur coat was extremely well-maintained, and her liquid amber eyes were full of life and unconditional love for anyone willing to take a walk with her. In fact, Grace is an eight-year-old Chow mix who has spent more than half of her life in the Alachua County Humane Society.

Grace enjoys being around people: all of the shelter’s employees are enamored with her, and she is great with kids. But she isn’t a young dog. And the older she gets, the more likely it is that she will spend the remainder of her life in the Humane Society’s shelter. Unfortunately for Grace, she has other factors going against her adoption. She doesn’t like to live with other dogs or cats and her breed, Chow, is sometimes banned from neighborhoods and apartment complexes. She was adopted once, for about a year, but her owner was transferred and couldn’t take her.

I met Grace at the biannual Adoptathon at the Oaks Mall. 

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